The series is titled Redaction and is related to the legal concept
of a redacted document - one where part of the information is selectively inaccessible for decryption.

Based on 1) the principle of randomness, 2) analog photography as a medium of credible information, 3) a found item - in this case, a blindly purchased film roll,
4) the normal distribution curve, I randomly choose to either redact or not redact parts of the photograph, thereby deconstructing the medium itself and undermining its foundation.